Google has a reputation as one of the best phone camera companies in the business, but can the search giant hold on to that reputation in 2020? The Google Pixel 5 sticks uses the same old main sensor as last year’s Pixel 4, while also ditching telephoto capabilities for a wide-angle lens. It’s a very conservative approach in the modern age of quad-lenses and experimental sensors. It’s going to be an uphill battle against its rivals.
We’re undertaking a four-way shootout this time, pitting the Google Pixel 5 against three of the best camera phones of the year: the Samsung Galaxy S20 Plus, Huawei P40 Pro, and the Sony Xperia 5 II. With the Pixel 5 arriving at a much more affordable price point than its rivals, can it still offer a competitive camera experience? Let’s find out.
If you want to examine the results in closer detail, you can find the full-res shots in this Google Drive folder.
More Pixel 5 camera shootouts:
Google Pixel 5 | Samsung Galaxy S20 Plus | Huawei P40 Pro | Sony Xperia 5 II | |
---|---|---|---|---|
Main Camera | 12.2 megapixels f/1.7 aperture 1/2.55-inch sensor Dual Pixel PDAF, OIS | 12 megapixels f/1.8 aperture 1/1.76-inch sensor Dual Pixel PDAF, OIS | 50 megapixels (12.5MP binned) f/1.9 aperture 1/1.28-inch sensor Omnidirectional PDAF, OIS, RYYB | 12 megapixels f/1.7 aperture 1/1.7-inch sensor Dual Pixel PDAF, OIS |
Secondary camera | 107˚ wide-angle 16 megapixel f/2.2 aperture | Wide-angle 12 megapixels f/2.2 aperture | Wide-angle 40 megapixels (10MP binned) f/1.8 aperture 1/1.54-inch sensor PDAF | 124˚ wide-angle 12 megapixels f/2.2 aperture 1/2.55-inch sensor Dual Pixel PDAF |
Third camera | 3x hybrid zoom 64 megapixels (16MP binned) f/2.0 aperture 1/1.72-inch sensor PDAF, OIS | 5x telephoto zoom 12 megapixels f/3.4 aperture PDAF, OIS, RYYB | 3x optical zoom 12 megapixels f/2.4 aperture 1/3.4-inch sensor PDAF, OIS | |
Fourth camera | Depth (time-of-flight) 0.3 megapixels | Depth (time-of-flight) |
Let’s start with the quintessential aspects of any good picture. Color, exposure, and white balance.
We know what to expect from these companies when it comes to color processing. Samsung heavily saturates for more pop, but results don’t look very realistic. Sony aims for natural, muted colors, although this can appear boring in places. Google and Huawei sit somewhere in the middle, aiming for realism but sometimes adding in a small boost to accentuate some scenes.
This really is a case of personal preference. I lean towards Sony’s approach.
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